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| If you have not used the system before, please check here. |
|  Producer Personal Details |
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|  Project Details |
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|  Master Tape Details |
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| Tape Category |
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Select Sound Type |
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| Select Tape Type |
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| Select Tape Manufacturer |
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| Re-Mix Link ISRC |
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| Noise Reduction | |
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No |
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| If yes... |
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|  Release Details |
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| Release Formats |
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|  Sound Recording Details |
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| ISWC/Tunecode: You can choose whether to enter the
International Standard Work Code used by publishers to uniquely
identify musical compositions, or, alternatively, to enter the
tunecode which is used internally by the MCPS to identify a work |
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| ISRC Number: You need to contact your record company to ask
them to allocate a unique code for each sound recording you are
working on.Please use this code wherever possible, as your (and others)
future royalties and performance income may depend on the
accuracy of this information.
There are four parts to the ISRC Code:
- Country code (eg, UK)
- First Owner code (eg, FL7)
- Year (eg, 96)
- Designation (eg, 12345)
Please enter the correct codes in the relevant boxes below: |
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|  Session Details |
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| Enter the name of the Recording Studio(s) |
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| Enter the Place ID of the Recording Studio here. If the place
does not have an ID, please contact Alex Ash at the MCPS/National
Discography. The MCPS issue a unique number for each studio in the
country - alternatively, you can simply use your Postcode/Zipcode |
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| Type of Session: |
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| Enter any comments you may have relating to the session(s) |
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| Master Take/Multi-Track Tape Details |
| Enter the Time Code reference for the start of the Master Take |
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| Enter the type of tape used (this can be useful information
to have if problems should come to light with particular types at
any time in the future) |
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| Number of Tracks |
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| Digital or Analogue |
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| Tape/Disk Format |
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| Enter the number allocated to the multi-track by the studio |
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| Enter a second tape number here if more than one multi-track
contains master material |
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| Insert the MCPS place ID |
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|  Contributor & Contribution Information |
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| Enter the details of the individual contributors
to the recording. You need to list each contributor in turn, with accompanying
details. Along with their name you should enter a 3-digit identifier for
any organisation of which they are a member - such as PPL,
Re-Pro or whatever. For your convenience, the common options
are listed in the following popup menu which you can refer to. |
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| Member Organisation Code |
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| Following this you need to enter the ID number for any organisation of which they are a member. You also need to say what role they played on the recording.
Again you can enter a 3-digit code to identify this role, and various options are listed in the following popup menu which you can refer to. |
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| Role Code |
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| If the contributor has performed the role more than once (rhythm and lead guitar, or six separate synthesiser parts, or whatever)
then you need to make this clear also. Obviously, if the contributor has performed more than one role (played guitar, bass and keyboards, for instance), then you need
to list all these separate roles. In some cases, contributors may have signed a clearance form for the use of their performance. In this case, you should also enter the reference number of the organisational clearance form here. |
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|  Declaration |
| I hereby warrant and declare that the information contained here is, to the best of my knowledge, true and accurate as at the date
of submission of this form. |
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| Enter the name of the Studio Producer |
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| Enter the name of an authorised representative of the Record Company |
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© 1996 Copyright Re-Pro.
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